Pair Of Winged Putti, Giovanni Battista Merano (Genoa 1632 - 1698)
Pair Of Winged Putti, Giovanni Battista Merano (Genoa 1632 - 1698)
Pair Of Winged Putti, Giovanni Battista Merano (Genoa 1632 - 1698)
Pair Of Winged Putti, Giovanni Battista Merano (Genoa 1632 - 1698)
Pair Of Winged Putti, Giovanni Battista Merano (Genoa 1632 - 1698)
Pair Of Winged Putti, Giovanni Battista Merano (Genoa 1632 - 1698)
Pair Of Winged Putti, Giovanni Battista Merano (Genoa 1632 - 1698)
Pair Of Winged Putti, Giovanni Battista Merano (Genoa 1632 - 1698)
Pair Of Winged Putti, Giovanni Battista Merano (Genoa 1632 - 1698)
Pair Of Winged Putti, Giovanni Battista Merano (Genoa 1632 - 1698)
Pair Of Winged Putti, Giovanni Battista Merano (Genoa 1632 - 1698)
Pair Of Winged Putti, Giovanni Battista Merano (Genoa 1632 - 1698)
slider-bg
more images

Would you like more images?

Pair Of Winged Putti, Giovanni Battista Merano (Genoa 1632 - 1698)

17th century
Louis XV style
DELIVERY
From: 38066, Riva del Garda, Italy

Change your address to get an accurate estimate of shipping costs.

    Item offered for sale by

    See the gallery
    This description has been translated and may not be completely accurate. Click here to see the original

    Giovanni Battista Merano (Genoa 1632 - Piacenza 1698) attributed
    Pair of winged cherubs with chains

    Genoese school, circa 1670-80
    Oil on canvas, 67 x 57 cm.
    Framed 89 x 78 cm.

    Full details of this painting can be viewed at - LINK -.

    This pleasing painting, depicting a pair of winged cherubs, is the work of Genoese Giovan Battista Merano (Genoa 1632 - Piacenza 1698), who trained in Genoa first in the studio of Giovanni Andrea De Ferrari, then of Valerio Castello, of whom he became one of the best students.

    It was probably the latter who advised the pupil to stay in the then Duchy of Parma to study Correggio and Parmigianino, as he had done in his own time. During this first stay in Parma, Giovanni Battista worked on the decoration of the fresco in the oratory of San Giuseppe (1651), using the skills already acquired by participating in the decorative construction sites run by the Castle.

    During the seventies, the painter's style increasingly resembled the solutions adopted by his colleague Piola, with whom he often collaborated, and from whom he drew inspiration for our putti, a true emblem of the pictorial poetics of the Piolesca workshop, focused on the decorative appeal of these subjects, intended to replace the classical ideal of beauty with a more delicate and "capricious" grace.

    Our two plump little angels are depicted kneeling, leaning on soft clouds, while holding chains in their hands, alluding to an allegorical context, probably linked to the concept of fidelity and strength uniting two people.

    The painting, perfectly restored and relined, is in excellent condition. Conservative cleaning carried out.


    FIMA authenticity certificate.

    For further information, please feel free to contact us.
    Professional, insured shipment under our supervision.

















    Ref: W7DWC1TWBA

    Condition
    Style Louis XV style (Paintings Other Genres of Louis XV style Style)
    Period 17th century (Paintings Other Genres 17th century)
    Country of origin Italy
    Artist Giovanni Battista Merano (gênes 1632 - Plaisance 1698) Attribué
    Width (cm) encadré 78 cm.
    Height (cm) encadré 89 cm.
    Shipping Time Ready to ship in 4-7 Business Days
    Location 38066, Riva del Garda, Italy
    Antikeo Buyer Guarantee

    4 commitments to buy with confidence

    This site uses cookies. By continuing to browse the site, you are agreeing to our use of cookies.