This description has been translated and may not be completely accurate. Click here to see the original
OIL ON CANVAS DATED 56.. FORMAT 60X73CM.
From 1950 to 1960 he detached himself from representation. It was a colorful and very constructed period, the original elements of its sensation, of its visual emotion, being first dissociated, then recomposed into a puzzle, according to a purely pictorial logic. This approach assimilates it to what we can call “an impressionist abstraction” in the French style.
Personal exhibitions:
Contemporary Art, Paris around 1930
Druet Gallery, 1932-1935*- 1938*
Berri Gallery, Paris 1941 Anjou Gallery, Paris 1943
Galerie Bourdon, Paris 1947 La Gentilhommière, Paris 1953*
Galerie Decré, Nantes 1954* Le Cercle, Paris 1957*
Synthesis Gallery, Paris 1958*-1960*-1962*-1964 -1967*
Galerie Malaval, Lyon 1960*-1962-1964 Galerie Ronca, Lucerne 1961
Spinnazola Gallery, Aix-en-Provence 1961*
Gallery A, Clermont-Ferrand 1961
Pierre Loeb Gallery, Paris (contract) 1962
French Institute of Cologne, R.F.A. 1962*
Galerie L’oeil listeners, Lyon 1964*-1974*-1978*
Renèe Laporte Gallery, Antibes 1967
Simone Boudet Gallery, Toulouse 1968 -1971*-1975 -1977*-1980*-1981 -1983*
Galerie Maydieu, Paris 1970* Galerie Lescribe, Montauban 1971
Jeannine Hillenweck Gallery, Orsay 1974
Ingres Museum, Montauban, “Homage to Jean Lombard” 1975*
Nane Stern Gallery, Paris 1976
Salon des Réalités Nouvelles, “tribute to Jean Lombard” 1984
Galerie Etienne de Causans, Paris 1990* (retrospective) 1992 -1999*
Muz'art Gallery, Sauve 2010
Dovecote Museum, Arles, June 2012
Funds of the State and the City of Paris and museums: National d'Art Moderne de Paris, Granet in Aix-en Provence, Arles, Belfort, Matisse in Cateau, Dijon, Lyon, Montauban, Saint-Etienne, Amsterdam, Djarkata. Numerous French and foreign collections.
Ref: CACW001Z9G