Encoignure Worker Majorelle Lacquered Wood Japanese Bird Art Nouveau
Encoignure Worker Majorelle Lacquered Wood Japanese Bird Art Nouveau
Encoignure Worker Majorelle Lacquered Wood Japanese Bird Art Nouveau
Encoignure Worker Majorelle Lacquered Wood Japanese Bird Art Nouveau
Encoignure Worker Majorelle Lacquered Wood Japanese Bird Art Nouveau
Encoignure Worker Majorelle Lacquered Wood Japanese Bird Art Nouveau
Encoignure Worker Majorelle Lacquered Wood Japanese Bird Art Nouveau
Encoignure Worker Majorelle Lacquered Wood Japanese Bird Art Nouveau
Encoignure Worker Majorelle Lacquered Wood Japanese Bird Art Nouveau
Encoignure Worker Majorelle Lacquered Wood Japanese Bird Art Nouveau
Encoignure Worker Majorelle Lacquered Wood Japanese Bird Art Nouveau
Encoignure Worker Majorelle Lacquered Wood Japanese Bird Art Nouveau
Encoignure Worker Majorelle Lacquered Wood Japanese Bird Art Nouveau
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Encoignure Worker Majorelle Lacquered Wood Japanese Bird Art Nouveau

19th century
Art Nouveau
DELIVERY
From: 22220, Tréguier, France

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    A small lacquered wood corner table, with a fan-shaped top, decorated in Japanese style with a beautiful bird circling among colorful flowers; on the lower top, a dragonfly among foliage; on the belt, a butterfly and flowering branches, signed Louis Majorelle* (Ecole de Nancy), late 19th-early 20th century Art Nouveau.
    This worker is in good condition and of fine quality. Original label underneath: "Louis Majorelle*, fabrique à Nancy 3 rue Girardet, dépôt à Paris 56 rue de Paradis".
    Please note: some wear to the lacquer and decorations on the upper shelf, some slight accidents and missing wood on the sides of the leaf, some scratches and age wear, please look at the photos.
    *Louis Majorelle (1859-1926)
    After studying with Théodore Devilly and Charles Pêtre at the Nancy Ecole des Beaux-Arts, Louis Majorelle was admitted to the Paris Ecole des Beaux-Arts in 1877 in the studio of painter Aimé Millet. Two years later, the death of his father forced him to return to Nancy. With his brother Jules, he took over the family furniture and earthenware business. In 1894, after a period of historically inspired production, Louis Majorelle replaced the varnished or painted decor of Rococo and Japanese furniture with inlaid decor featuring naturalist and symbolist references. Metalwork was developed in his workshops for the bronzes used to decorate furniture, as well as for lighting fixtures in collaboration with Daum from 1898 onwards. He had his ceramics published in various workshops in the Lorraine region and designed stoneware objects for Alphonse Cytère (Rambervillers) and the Mougin brothers. His many activities led him to open a number of showrooms, notably in Paris, Lyon and Lille. In 1901, he was one of the vice-presidents of the Ecole de Nancy.
    **The Nancy School
    Spearhead of Art Nouveau in France, whose essential inspiration lies in plant forms (ginkgo, umbel, hogweed, water lily, thistle, cucurbit...) and animal forms (dragonflies...). This alliance is based on extensive research into the use of glassware, ironwork, steel and wood, to bring beauty into everyone's hands and bring art into the home.
    BE CAREFUL: PLEASE CONTACT US FOR THE DELIVERY QUOTATION.
    BE CAREFUL : PLEASE CONTACT US FOR THE DELIVERY PRICE.
    Dimensions
    Height 77 cm
    Width 62 cm
    Fan length 41 cm

    Reference :160 154
    All photos on :
    www.antiques-delaval.com

    Ref: CKDUSYIVHV

    Condition Good
    Style Art Nouveau (Furniture Corner of Art Nouveau Style)
    Period 19th century (Furniture Corner 19th century)
    Country of origin France
    Artist Louis Majorelle
    Length (cm) éventail 41 cm
    Width (cm) 62 cm
    Height (cm) 77 cm
    Shipping Time Ready to ship in 4-7 Business Days
    Location 22220, Tréguier, France
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